5,238 Royalty-Free Audio Tracks for "Compositions By Charles Harford Lloyd"

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Extract from Chalres-Valentin Alkan's 'Esquisses', no. 45, published 1861 in Paris.
Author: Charles-Valentin Alkan
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Sousa's "Hands Across the Sea" performed by the Concert Band of the United States Air Force Band. Track 6 from the band's 2017 album America.
Author: Composition: John Philip Sousa; Performance: United States Air Force Band, Concert Band; Recording: United States Air Force
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The Presidential Polonaise by John Philip Sousa, played by the U.S. Marine Band for the album Semper Fidelis: Music of John Philip Sousa
Author: Composition: John Philip Sousa Performance: U.S. Marine Band
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03:55
Ô ma lyre immortelle de l'opéra Sapho composé par Charles Gounod, interprété par Ernestine Schumann-Heink (1861-1936) en 1909
Author: Gounod - Schumann-Heink
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Ballade No. 1 in G minor, op. 23 Italiano: Ballata n° 1 in Sol minore, Opera 23
Author: Untitled
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Secondary half-diminished leading-tone chord in Brahms Op. 119, no. 3, mm.49-51.
Author: Hyacinth
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Example of a German sixth chord, preceded by predominant chords, in Scott Joplin's Binks' Waltz (1905).
Author: en:Scott Joplin
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Chopin - Nokturn Fis-dur op. 15 nr 2Chopin - Nocturne in F sharp major, Op. 15, no. 2
Author: Untitled
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Nokturn Es-dur op. 55 nr 2Nocturne in E flat major, Op. 55 no. 2
Author: Untitled
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Charles Ives, 3-Page Sonata, first mvt., first fugal complex. The BACH motif from The Art of Fugue Contrapunctus XIXc is the "'1st Theme'/fugue subject" of Ives' combined sonata-allegro and fugal procedures.
Author: Charles IvesImage created by Hyacinth (talk) 23:23, 17 April 2010 using Sibelius 5.
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Isle of Beauty by Thomas H. Bayly. Isle of Beauty von Thomas H. Bayly.
Author: Composition: Thomas H. BaylyTranscription: C. Guy HooverMIDI-Transcription: Simon Horn
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The march Who's Who in Navy Blue by John Philip Sousa, played by the U.S. Marine Band for the album Semper Fidelis: Music of John Philip Sousa
Author: Composition: John Philip Sousa Performance: U.S. Marine Band
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w:John Philip Sousa's "King Cotton" Recording date not clear according to CD booklet metadata suggests 1989
Author: John Philip Sousa, performed by the United States Marine Corps Band from Semper Fidelis: Music of John Philip Sousa
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It is enough from Felix Mendelssohn's (1809–1847) oratorio Elijah (1846 ), sung by Charles W. Clark
Author: Charles W. Clark
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Ballade no. 3 in A-flat major, op. 47
Author: Composer: Frederic Chopin (see Musopen for author information)
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John Philip Sousa's Transit of Venus March.
Author: Written by John Philip Sousa
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Morning Mood by Edvard Grieg, performed by the Czech National Symphony Orchestra as the Musopen Symphony Orchestra for the Musopen Kickstarter Project. „Morning Mood” Edvarda Griega w wykonaniu Czeskiej Narodowej Orkiestry Symfonicznej. Čeština: Edvard Grieg: skladba "Morning Mood" (Ranní nálada) hraje Český národní symfonický orchestr. Македонски: „Утро“ од Едвард Григ во изведба на Народниот симфониски орјкестар на Чешка.
Author: Grieg, Edvard; Musopen Symphony Orchestra
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Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution where this article is used in files.
Author: (See Musopen for author information)
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D. Scarlatti, Sonata K159 C, Veronica van der Knaap, Christchurch, New Zealand
Author: Veronica van der Knaap, Christchurch, New Zealand
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Cello Sonata, op. 19, composed by w:en:Sergei Rachmaninoff in 1901. Excert from fourth movement.
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Ur radioprogrammet: "…fyran kommer och femman slår - Rallarvisor och sjömanssånger". Dokumentatör: Sveriges Radio (Q1543058) Radiotjänsts ursprungliga produktionsnummer: 47/8251
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Ur radioprogrammet: "…fyran kommer och femman slår - Rallarvisor och sjömanssånger". Dokumentatör: Sveriges Radio (Q1543058) Radiotjänsts ursprungliga produktionsnummer: 47/8251
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Ur radioprogrammet: "…fyran kommer och femman slår - Rallarvisor och sjömanssånger". Dokumentatör: Sveriges Radio (Q1543058) Radiotjänsts ursprungliga produktionsnummer: 47/8251
Author: Untitled
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Franz Liszt's Hungarian Rhapsody No. 6 in D-flat major (arranged for wind band) performed by "The President's Own" United States Marine Band. Performed by the Marine Band on Jan. 5, 2014, at George Mason University's Center for the Arts Concert Hall. Col Michael J. Colburn, conducting.
Author: Untitled
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Symphony No. 4 in A major, Op. 90, 'Italian', op. 90 - i. allegro vivace. Sinfonie Nr. 4 in A-Dur op. 90, „Italienische“, 1. Satz (allegro vivace). Symfoni nr 4 i A-dur (italienska symfonin) opus 90; 1:a satsen "Allegro vivace"
Author: Untitled
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Mens jeg venter (op 60 n°3) composé par Edvard Grieg (paroles Vilhelm Krag), interprété par Ernestine Schumann-Heink (1861-1936) en 1913
Author: Untitled
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Latsabidze plays Chopin's Polonaise Op.53 Čeština: Chopinova polonéza As dur, Op. 53 v podání Giorgiho Latsabidzeho Latsabidze spielt die Polonaise op.53 von Frédéric Chopin Македонски: Шопеновата „Полонеза Оп.53“ во изведба на Ѓорги Лацабиѕе
Author: Untitled
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O du, mein holder Abendstern from Richard Wagner's opera Tannhäuser
Author: Charles W. Clark
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The Invincible Eagle performed by the Concert Band of the United States Air Force Heartland of America Band. Track 6 from Beyond the Horizon (1997).
Author: Composition: John Philip Sousa; Performance: United States Air Force Heartland of America Band, Concert Band; Recording: United States Air Force
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The Gallant Seventh performed by the Concert Band of the United States Air Force Heritage of America Band. Track 3 from American Salute (1998).
Author: Composition: John Philip Sousa; Performance: United States Air Force Heritage of America Band, Concert Band; Recording: United States Air Force
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King Cotton performed by the Concert Band of the United States Air Force Band of the Rockies. Track 16 from Footlifters! (1998). Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[1][2][3]
Author: Untitled
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The waltz La Reine de la Mer by John Philip Sousa, played by the U.S. Marine Band for the album Semper Fidelis: Music of John Philip Sousa
Author: Composition: John Philip Sousa Performance: U.S. Marine Band
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Polonez A-dur op. 40 nr 1, w wykonaniu Romualda Greissa na fortepianie marki Budynowicz z 1850. Nagranie z koncertu w filharmonii w Zabrzu. Čeština: Polonéza Fryderyka Chopina Polonaise Op. 40 No. 1 v podání pianistky Romualdy Greissové na klavíru Budynowicz z roku 1850. Polonaise Op. 40 No. 1, performed by Romuald Greiss on an 1850 Budynowicz piano. Polonaises, opus 40, n°1 de Frédéric Chopin, interprétées par Romuald Greiss sur un piano Budynowicz de 1850. Эрзянь: Полонез Оп. 40 No. 1, налксизе Ромуальд Грейсс, 1850 иестэ теезь Budynowicz фортопианасо. Українська: Полонез Op.40 №1 у виконанні Ромуальда Грайса на фортепіано Будиновича 1850 року, Забже, Польща.
Author: Untitled
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Grand March from La reine de Saba ("The Queen of Sheba", 1862), an opera by French composer Charles Gounod. From the U.S. Marine Band CD From Fife and Drum: Marine Band Recordings 1890-1988.
Author: Performance U.S. Marine Band, under the directorship of LtCol William F[rederick Henry] Santelmann (1909–1984) Compostition: Charles-François Gounod (composer, 1818–1893) Paul Jules Barbier (lyricist, 1825–1901) Michel Carré (lyricist, 1821–1872) This piece, of course, does not contain any lyrics, but the lyricists are given for completeness' sake.
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